Probably going to get a warning at a minimum for the language in this post. . .
Holy f***! Seriously, the expletives that run through my mind following this build mostly start with f*** but at least I try to keep them in the grammatical adverb and adjective wheelhouse. Not wanting to test the waters and see how far I can push our moderators - who, by the way, have been extremely fair to me over the years - the asterisk symbol will be used to annotate where I'd normally put f***/fcuking in the below statement.
*ing BAD. . .balls, attitude and decision (Kiss of Death, N. Cage, 1995) summarized J IM*O to a *T.
From thought to design, watching J take this rig from a traditional 60 and transform it into what it is today. . .* me and the rest of you, that's a *ing unyielding will to bend the everyday *ing convention into what you feel is a perfect *ing fit. It's *ing blasphemy to some, wast of *ing money to some, but *ing (not the verb) to others, like me, it's a defining aspect of a man's character. There was no *ing compromise, no thought or concern toward the *ing critics (vocal or otherwise), and no pallet parameters. Imagine the feeling of having the strength of character to freely create something to suit your own dreams/desire. . .necessitating a level of *ing freedom unrestrained by conventional anchors most of us abide by in one *ing form or another. I consider myself pretty *ing unconventional but I found myself in *ing awe numerous *ing times throughout this build. Hands-down the single best build I've seen to date, LC or otherwise.
And * yes, if I had the additional *ing funds, Nemesis would leave J's shop as UTE #3, * me sideways!
Biggest *ing congratulations on an incredible, unique, and amazing *ing job, J!
Shane
corbeau.com
