1971-The Rite Of Passage.
As I mentioned earlier in the story about
Malcolm, the family handyman of my youth, I knew that from the time I was four, and watched Malcolm make a set of stairs at our house, that more than anything else, I wanted to learn to build things, make things—work with my hands—for the rest of my life. And as I sit here today in 2022, I now see that I have fulfilled the dreams of my youth.
I persevered through a lot of crappy self-starter, no-supervision woodworking projects (mostly
shelves) until I was about seven. I was self-entertaining, even if the learning curve was slow. I didn’t know if anyone was paying attention, and I don’t remember particularly caring. Then when I was seven, I got a really big surprise: my aunt and uncle (father’s brother) gave me a junior set of woodworking tools!
A claw hammer, saw handle with three interchangeable blades, hand drill, small square, and a tote-sized toolbox to carry/store my new treasures in! I knew nothing of the competitive dynamics between my father and his brother. All I knew was that someone had noticed me trying to learn a skill. It wasn’t until years later that I came to understand the long heritage of craftsmanship in my family.
Summers were long, and many were the days that my parents would take me in to the jewelry store where they worked rather than leave me to my own devices at home. (I’ll save the Dennis the Menace stories for another time!) I watched the employees work, having particular interest in the tools they used, and how they used them. I had already realized that tools were essential to making things. I tried not to get in their way, but I’m sure I was rarely successful. The shop was small, and it had a lot of tools.
When I was 10, my father said he had a job for me. I thought he was joking. He melted down some silver into a small ingot, then slowly ran it through a mill, each time bringing the opposing drums closer together, until the ingot became a metal plate somewhat thinner than a 16th inch.
Then he handed me a snuff box which had an inlaid silhouette of a ballerina on it, along with a marker, and asked me to duplicate the silhouette on the metal plate. His customer wanted a pendant to match her snuff box.
It took me almost an hour to make a replica of that 1” tall ballerina, but I did. And I was pretty proud of myself. It was a very challenging job, even though I had no idea that it was a job. My dad wasn’t big on compliments, but he more or less conveyed that it was good enough.
Then he sat me down at HIS workbench, handed me a jeweler’s saw and told me to cut the silhouette out of the plate!
For those of you who are not familiar with jeweler’s saws, the blades are extremely fine, on the order of dental floss. And in 1971, they were as brittle as mechanical pencil lead, which is to say, extremely brittle. Suffice it to say, I broke the blade(s) a lot. I can’t say that I mastered the cutting technique that day. But I can say that before the day was done I, a precocious boy of ten, handed my father an exact replica of the ballerina on the snuff box.
(to be continued)
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