Cruise Moab 2011 Pictures

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Glad you like them :).

Kevin and I had a discussion in previous years about my pics having a lot of strong color :eek:. ...

That is a great argument that can go on forever. It is in the eye of the artist, so there is no "right" answer. I was taught to take the pix at a "normal/neutral" setting and "enhance" in post process, then darkroom, now software. In the end it doesn't matter, just so the result is pleasing to the shooter.:hillbilly:
 
of film

I think the "washed out" describes my pictures best. The cheap camera shows... well... that I have a cheap camera :meh:

That "washed" out look is what I first seen when I looked at all of our pictures. Some are really bad but others are good. Same camera and same settings. The before and after look after changing sizes still looks the same. Melissa was asking around while we were in Moab trying to find out what kind of camera she wants to get next :rolleyes:

A camera is just a tool, all but the s***tiest cameras are capable of taking great pix, the most expensive camera is capable of taking s***ty pix. It's not the camera, it's the user, the difference between a snapshot shooter and photographer. It's not that difficult, just need to know the tool and experiment with it to get the most out of it.

This was demonstrated to us in photo class. One of our assignments was to make a pinhole camera, then had a contest to see who could shoot the best pix with it. Google pinhole camera, basically it is a box with a pinhole for the lens, a piece of tape for the shutter and a sheet of film. Some made art with them, whole albums full of nothing but pinhole shots.

Post processing is the most important part. Again don't need to spend a ton of $$$. I use photoshop, it is costly in both $$$ and learning curve. On the road or ocean I use a free program called irfanview, works great, also lots of good reviews for GIMP. Google free Image Editing Software reviews, there are a bunch of free editors and tutorials.

Most of what we attempt to shoot is mid day sun, brutal, the most difficult conditions to get a usable pic. Deep shadow and brutal light, almost guarantee washed out pix. One tip is; if your subject is in the shade, with lots of light around it. Frame another area that is mainly shade/dark color, hold the shutter half down, while holding half down, frame your subject and fully depress to take the pic. What you did is manually force the cam to use the setting of the darker area, without touching any settings, going to manual, etc. Quick, easy cheat!:hillbilly:

Hard to tell what is up with your pix, the forum has butchered them. Email me a few that you have posted, in full resolution and will see what is up.
 
That "washed" out look is what I first seen when I looked at all of our pictures. Some are really bad but others are good. Same camera and same settings. The before and after look after changing sizes still looks the same. Melissa was asking around while we were in Moab trying to find out what kind of camera she wants to get next :rolleyes:
We had a lot of that on the 2000+ frames we shot. Some due to sunlight angles, some due to dust, some shot from moving rig, some thru the windshield, etc. Some are hopeless for restoration/improvement, others cleanup pretty good. We used both a pocket sized Kodak and my bigger Olympus. Both companies offer software to store,arrange, and modify your originals. Some of our better shots were done with the Kodak, but I do all my "adjustments" on the Olympus software nowdays. Some of the ones I have posted have been full frame, as is. No changes. Others have been cropped and/or had exposure adjustments. I'm not real good at it, but kinda like driving the 80, I just gotta keep practicing. That's the beauty of digital pix: as long as you save the original file, you can copy it and then "work" the crap out of it, even print it out, to see what is possible with a less than perfect pic. Have fun with it.
 
OK, so after that interlude, where were we?

I skip the Wedgie as the extensive play-by-play has been covered (my pics don't look any different than Kevin's), and move on to the LaunchPad.

Please keep in mind that the first three shots violate the "keep-hands-inside-when-vehicle-is-moving" rule :frown:, but I have pretty much every other perspective on file already...
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Skyline drive... I ended up riding with Phil after Claudia left me behind... and after a little excursion by our leader trying to go back to PSM, we were in front...
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Not many from Zuki Hill - I was spotting, until the Tail Gunner waved me off. Funny how the loudly announced 'one-spotter-rule' didn't apply to him...
Now I don't really mind being told to step aside, gives me more time behind the lens. But quite frankly, I didn't like the roundabout way how it was done. My apologies to Chris for brushing him off after the climb, but I wasn't in a good mood at that point. I'm really sorry, shouldn't have happened.
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No pics from the ascent to the rim, just a few at our old lunch spot: the town of Moab with the LaSal mountains in the back, Arches NP 'just across' the road (which happens to be about 1200' below), and the superfund uranium cleanup site. For reasons of piety and karma, no pix of the four jeepsters that were all being wrenched on at this spot, with axleshafts out and broken u-joints, and hubs, and somesuch...
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Well, despite vows to the contrary, I ended up spotting the second step of the Two Ledges (no idea on the 'official' name on this one). It certainly is an interesting line for a full-size truck, and not much room to spare with an 80.
The truck leans a little to the driver's side, there's pebbles under the front left tire that carries all the weight and has to climb a step. And if you're not quite on the line, there's that fairly innocent-looking black rock on the passenger side that tries to heave the weight of the truck downhill at exactly the wrong moment... Not a place to make the weight of the truck shift suddenly...
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